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ALVARO HOYOS

D.O.P

1.

Director of Photograhy

  • Ads & Content Creation

  • Documentaries

  • Events 

2.

PHOTO

Stilll Photography

  • Fashion

  • Documentary

  • Product  

D.I.T

3.

Digital Imaging Technician

  • Feature Films

  • TV Commercials 

4.

BIO

About Me

  • Contact Me

  • Biography

#ALVAROHOYOS

Freelance Filmmaker and Content Creator.

During his childhood with a camera he should not grabbed, he took his first photo and from that moment the taste for light and composition did not stop. The images of nature and the great landscapes were the central axis of his first works, with which he understood the behavior and handling of light. 

This made him known new styles, and at the end of the 90's during his final years of high school, he took the photojournalism path, working in "El Tiempo" the main newspaper of his country and publishing his work for over a year in this print media company.

Birdman: Or (The Virtue of a Leica Summilux-C 18 mm)

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“Birdman: Or ( The Unexpected Virtue Of Ignorance)” won Oscars for Best Picture, Directing, Cinematography, and Original Screenplay. Most of the film was shot with a Leica Summilux-C 18mm Prime. The camera was an ARRI Alexa M.

Inspiration

ARRI Large Format Camera System

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ALEXA LF and its system of Large Format lenses. What followed were two weeks of total immersion in Large Format technique and technology, factory tours, meetings with engineers, executives, designers and fabricators of a big new system.

Episode 8: Quentin Tarantino Part 1

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In Part 1 of Lynn’s interview with Quentin Tarantino, the filmmaker covers everything from his decades-long admiration of the late New Yorker film critic Pauline Kael to how he rejects the characterization of Once Upon a Time… In Hollywood as a “love letter” to Los Angeles. He goes deep on the process of writing his first script, True Romance, with Roger Avary, and recalls his early attempts at screenwriting (he never made it past page 30). Tarantino says that, when he was younger, going after his dream of making movies felt almost non-negotiable: “Everything else was just so depressing by comparison that I had no choice but to live my dream. It was the only outlet I had."

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